Fig: narrative Newcastle

- Allison, Dael

Changes in the length of speeches in the plays of William Shakespeare and his contemporaries: A mixed models approach

- Colyvas, Kim, Egan, Gabriel, Craig, Hugh

Australian Child Actors on Early-Twentieth-Century Touring Circuits

- Arrighi, Gillian

Julius Caesar (review)

- Edelstein, Gabriella

Theatre's radical potential: a study of critical performativity

- Cinque, Silvia, Nyberg, Daniel

Valuing Newcastle’s theatrical performing arts industries: a systemic approach to unpacking the economic, structural and social challenges faced by the Newcastle theatre industry

- Bransdon, Shane

Celebrating childhood on the Vaudeville stage

- Arrighi, Gillian

Wesley Enoch's Black Medea

- Ewans, Michael C., Johnson, Marguerite

Harry Lyons is 'here, there and everywhere': Australia's late 19th century global entertainment broker

- Arrighi, Gillian

Drama and digital arts cultures

- Cameron, David, Anderson, Michael, Wotzko, Rebecca

The speculative act in theatre and performance studies

- Mazer, Sharon

The inter-cultural Shakespeare

- Squires, Graham

Popular entertainments as survival strategies in prisoner-of-war camps during World War II

- Emeljanow, Victor

The role of the 'standard rig' in illuminating a production of Reginald Rose's Twelve Angry Men (1954)

- Dwyer, Simon, Franks, Rachel

The tough beauty project: interrogating girl to girl violence through theatre and drama

- Hatton, Christine

Staging the pirate: the ambiguities of representation and the significance of convention

- Emeljanow, Victor

Staircases and their theatrical impact

- Donohue, Joseph

Meyerhold's footprint in Australian education practice

- Roy, David

Nelson drama for secondary students

- Roy, David

The 1602 additions to The Spanish tragedy

- Craig, Hugh